THIS ALL TAKES PLACE IN THE MIND OF CHARACTER 1. THERE ARE NO VISUALS, JUST DARKNESS AND AUDIO. CHARACTER 1 WAKES UP GRADUALLY, VERY DISORIENTED, VERBALISING THEIR DISQUIET, PERHAPS BOOMY/ECHOY/RESONANT, THEN HEARS THE PIN-SHARP VOICE OF CHARACTER 2, WITH AN ACCENT WHICH SEEMS SLIGHTLY ODD TO CHARACTER 1. SOMETIMES CHARACTER 2 IS SPEAKING VIA A CLEAR INTERCOM TO CHARACTER 1, AND SOMETIMES MUFFLED, AWAY FROM THE MIKE, TO A 3RD PERSON WHO WE NEVER HEAR. CHARACTER 1 FEELS PAIN WHEN THEIR ELBOW TWANGS, WHICH COULD BE REPRESENTED BY AN ACTUAL LOUD TWANGING NOISE AND CHARACTER 1 SHOUTING "OW, MY ELBOW". 1 A MUDDY SSSSH NOISE. HISSING. CONTINUES WHILE CHARACTER 1 IS AWAKE.

Hello darkness, my old friend. Well, more of a dark paisley going wah wah. Feel a bit sick. Feels odd though, high up in the chest, not from the stomach. And depths. No, not depths. Different word. Kind of yawning, moving depth. Vertigo? Twanging coming through me from all over. Bits of me pinging. Is this a new kind of hangover that happens to old people?

A CLICK PUNCTURES THE HISS. 2

Er, hello?

1

Can’t speak. Jaw won’t move. Hang on, can’t move anything.

2

Hello?

AWAY FROM THE MIKE.

I’m not picking up any speech. Are they on?

… Fully on?

… How can we tell?

… We only have, what?

… Five minutes, that’s all it takes

… What, less than that?

Sure, it’s the budget package, but they were promised at least five minutes each time.

ON MIKE.

Hello? Can you tell me your name?

AWAY FROM THE MIKE

Seems conscious but …

ON MIKE, LOUD AND SLOW

You need to let us know you are awake.

AWAY FROM THE MIKE.

What? …

ON MIKE.

And you must tell us your name.

AWAY FROM THE MIKE.

Is this their first? Do they know how? … Ah.

ON MIKE.

Ok, sorry, my bad. We’ve wasted one of your minutes. I thought you’d done this before. You need to just speak as you normally would, and ignore that this is not normal. It’s like when you are drowning.

AWAY FROM THE MIKE.

What?

… Come on, don’t interrupt! This will work.

… I heard this way gets them speaking quickest of all the techniques.

… Yeah, it’s not nice, but this client’s only got just over three minutes left before they’re committed to waking, so we can’t afford to dick about.

… Imagine the grief if we don’t get this one’s consent. Four more clients today with a cycle time of at least an hour each.

ON MIKE.

Sorry about that. And sorry about this, but it’s like drowning, when you are fighting not to breathe, and then you do and you breathe the water into your lungs and then you drown.

Speaking, for you, right now, is like breathing in the water. You just have to do it. You won’t die. Well, you sort of pretty much are already, if you see what I mean, but it won’t hurt you. Your nerves are giving you confusing messages. Just inhale the water. There is no water. And speak.

Come on. Do it. You can do it.

What is your name?

1

Name. I know what one is, and a word seems familiar. Just pops forward, demanding to be said. But, inhale the water? What is this idiot on about?

Swallow. Nothing happens. I can’t swallow. This is not nice.

The vertigo has changed direction. Am I on a roller coaster? Everything still pinging. What is that? Elbow twanged big time. Ow. And again. I did that. And again. Ah, that hurts.

2 AWAY FROM THE MIKE.

Did you see those spikes? Someone’s in there. If we get their consent, do we need their name?

… You have their name?

… His name?

… How can you know that?

… It’s on his cabinet? The whole point of the double blind thing is that we can’t fake that.

… Ok, so we can fake that.

ON MIKE.

Hi, again. Let’s go for consent and leave your name for another time. That thing you did, can you do it once more?

1

Elbow twang. Ow.

2

And there’s the spike. Smashing.

Can you do that twice more?

1

This is not nice. Elbow twang. Ow. And ah not happy about this, Elbow twang. Ah. Ow.

2

Ok, that is superb. A nice clear signal. We might just get a result here.

I’m going to read you three options. Listen to them carefully. Then I’ll read them again, and wait for your signal after each option.

One spike for No, two spikes for Yes.

I’m going to need two clear Nos and one clear Yes.

Ok. We have just over two minutes, here goes.

Option one is return to stasis.

Option two is to be awoken fully, though I can’t see why you’d want this since it’s only been ten years.

AWAY FROM THE MIKE.

What? That’s not leading the witness. He was meant to have had time to ask questions about the world as it is now in order to make his decision, but there’s no time. He wakes now, he’s broke, and you know the other issues.

ON MIKE.

Option three is euthanasia. Again, this is more of a formality. You insisted on your form that this be an option.

Ok, here they are again. I’ll pause after each one.

I need one spike for No, or two spikes for Yes.

Option one, return to stasis…

1

Breathe. Nope. No breathing. No water either.

2

Option one,

return to stasis…

Come on man, we really need to move along here.

1

Elbow twang. Owwwww. That’s the worst so far.

2

Ok, I’ve got one spike. Do I get another?

1

Bits randomly twanging faster and louder. Pain now is everywhere. Wasn’t there. Now it’s there, coming through in waves.

2

Really, no?

Ok. Option two is

1

Elbow twang. Damn. Why can’t I scream?

2

A spike! Was that for option one?

Let’s go on. Option two is to be awoken fully.

1

AAAAAAAAAAAARRRRRGGGH !!!

2 AWAY FROM THE MIKE.

What, you are picking up speech activity? Now? We’ve got less than thirty seconds, no time for that.

ON MIKE.

Option two is to be awoken fully.

1

Elbow twaaaang. Aaaaaah.

2

Ok, quickly now, Option three is euthanasia.

1

Swallow. Almost. Breathe,

He said.

My name is.

Elbow twang, AAAAAAARGH.

My name is.

Body twanging all over now. Pain surging.

2

Ok, great, that’s

1

Elbow twang. Elbow twang. Elbow twang. Aaaaaaaaaaaaaaaaaah.

Not me doing that.

My name is.

2

Four spikes? Never mind. I, um, I’ll record that as yes to Option one, remain in stasis, no to Option two, be awoken fully, and no to Option three, euthanasia. With some random neural activity as we reached the end of the window.

Thanks for your cooperation, er

AWAY FROM THE MIKE.

What’s his name?

ON MIKE.

Thanks for your cooperation, Dave. We’ll return your mind to stasis, along with your body, for the next instalment. You should be able to get going faster each time. This was your first, so kind of tough on you.

Give the breathing thing another try. Good luck.

AWAY FROM THE MIKE.

… not his first?

… Well how many?

… His record … corrupted?

… So what is his situation?

… Can we leave a note?

… You are reading the note? What note?

… He’s been brain-checked for a … of several days? …

THERE IS A CLICK AS THE MIKE IS SWITCHED OFF, AND THE MUDDY HISS RETURNS. 1

Pain dims.

Twanging retreats. Rapidly.

My name is.

My name

is

Not … Dave.

THE
END